Amassing more songs and managing the metadata and organizing the music library all begin to cannibalize the pleasure of the music itself. Or rather, these data-driven pleasures mediate our experience of music in a different way from what we knew before mp3s. The music becomes more like information, requiring less of a sensual surrender. Girl Talk seems emblematic of music created to suit this new aesthetic; classifying the samples becomes inseparable from the pleasures of listening to it.

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